Musicological Colloquium winter term 2020/21

Please note: The colloquium has been rescheduled to take place entirely online, see details on the right side.

This semester, we alternate weekly between two formats:

1) in the light of the recent debates regarding racism within music studies, we use our colloquium to discuss an online talk or discussion on race and racism (usually 60 mins, except for the first session). We each watch these talks (individually on YouTube, find the links in the schedule on StudIP) before our meeting (on Zoom), take notes, and take time to think about how the ideas and challenges these talks address can be translated to music studies. The goal of these sessions is to critically translate these discussions for our field (music studies at large), sensitize ourselves to our own roles in these dynamics, and exchange ideas about how we can _should_ contribute to positive change.

2) online (Zoom) talks by guest speakers, followed by an online moderated discussion about that talk.

Colloquium programme

• 04.11.2020
  Colloquium introduction and discussion of:
  How does change happen? - Prof. Angela Davis
  Moderator: Eva-Maria van Straaten
• 11.11.2020
  Klangspuren. Klangepistemologien im Berliner Phonogramm-Archiv
  Lennart Ritz, M.A.
• 18.11.2020
  Discussion of:
  Prof. bell hooks, Marci Blackman, and Darnell Moore, M.A. - Moving from Pain to Power
  
• 25.11.2020
  Trans* Vocality: lived experiences of singing in a trans* chorus
  Holly Patch, M.A.
• 02.12.2020
  Discussion of:
  So you want to talk about race - Ijeoma Oluo
  
• 09.12.2020
  Nzarwa. Local culture, gender and performing arts in Western Uganda
  Dr. Linda Cimardi
• 16.12.2020
  Discussion of:
  White fragility – Dr. Robin DiAngelo
  
• 23.12.2020
  Verschoben auf den 27.1.2021
  
• 13.01.2021
  Musik und Monster
  Prof. Dr. Markus Böggemann
• 20.01.2021
  From the Holocaust to the NSU: Multidirectional Memories in the Music of Bejarano and Microphone Mafia
  Prof. Dr. Monika Schoop
• 27.01.2021 (Verschoben vom 23.1.)
  Performative Entgrenzung? Die Theateroratorien an den Wittelsbacher Höfen der Frühen Neuzeit
  Sebastian Biesold, M.A.


• 03.02.2021: Der Vortrag wird ins Sommersemester 2021 verschoben.
  „[E]ine aus der Vergangenheit in die Gegenwart wirkende Verpflichtung“: 100 Jahre Musikwissenschaftliches Seminar in Göttingen aufs Plakat gebracht.
  Präsentation eines studentischen Projekts zu ausgewählten Facetten der Institutsgeschichte unter der Leitung von Dr. Christine Hoppe.